FESTIVAL INTERNACIONAL DE MUSICA RELIGIOSA POPAYÁN 2009

Prospectiva Académica Semestre I de 2009 Corno Frances Unicauca

EVALUACIÓN FINAL 30% - CORNO FRANCES - II Periodo de 2008 JAIME VILLAMUES

UNIVERSIDAD DEL CAUCA

FACULTAD DE ARTES

DEPARTAMENTO DE MÚSICA

ASIGNATURA: CORNO FRANCÉS

ESTUDIANTE: JAIME ALBERTO VILLAMUÉS LÓPEZ

PROGRAMA CURRICULAR: MÚSICA INSTRUMENTAL – Semestre 10

DOCENTE: Germán Antonio Tejeda

PROGRAMA PRIMERA PARTE

1. ESTUDIOS TÉCNICOS

• C. KOPPRASCH – Libro 2 – Estudio No.

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2. ESTUDIOS MELÓDICOS

· HENRY KLING - 40 ESTUDIOS MELÓDICOS – Estudio No.

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PROGRAMA SEGUNDA PARTE

3. FRAGMENTO ORQUESTALES – Edición Max Potag

· BEETHOVEN – Sinfonía No. 6

Ø Fragmento 1 – Beethoven – Sinfonía 6

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Ø Fragmento 1 – Beethoven – Sinfonía 6

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· BEETHOVEN – Sinfonía No. 7

Ø Fragmento 1

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Ø Fragmento 2 – Beethoven – Sinfonía 7

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Ø Fragmento 3 – Beethoven – Sinfonía 7

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· BEETHOVEN – Sinfonía No. 8

Ø Fragmento 1

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Ø Fragmento 2 – Beethoven – Sinfonía 8

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· BRAHMS J. – Sinfonía No. 2

Ø Fragmento 1

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Ø Fragmento 2 – Brahms J. – Sinfonía 2

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Ø Fragmento 3 – Brahms J. – Sinfonía 2

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Ø Fragmento 4 – Brahms J. – Sinfonía 2

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· TCHAIKOVSKY P. I. – Sinfonía No. 4

Ø Fragmento 1

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Ø Fragmento 2 – Tchaikovsky – Sinfonía 4

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Ø Fragmento 3 – Tchaikovsky – Sinfonía 4

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· TCHAIKOVSKY P. I. – Sinfonía No. 5

Ø Fragmento 1

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PROGRAMA TERCERA PARTE

4. OBRA SOLISTA (Acompañamiento virtual)

· BEETHOVEN L. V. - Sonata Op. 17 Fa Mayor

Ø Movimiento I

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Ø Movimiento II

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Ø Movimiento III

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CALIFICACIÓN ____________

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JURADO

EVALUACIÓN FINAL 30% - CORNO FRANCES - II Periodo de 2008

Una vez más estamos aplicando las TICS, para el mejoramiento y dinámica de la asignatura CORNO FRANCÉS de la Universidad del Cauca. Todas las obras del repertorio solístioco, son acompañadas por un piano u esamble virtual. Midis de acompañamiento, creados por Germán Antonio Tejeda, docente de Corno.

UNIVERSIDAD DEL CAUCA

FACULTAD DE ARTES

DEPARTAMENTO DE MÚSICA

ESTUDIANTE: JOSÉ ANDRES PALOMINO PASICHANA

PROGRAMA CURRICULAR: DIRECCION DE BANDA – Semestre 5

DOCENTE: Germán Antonio Tejeda

PROGRAMA

1. Informe Biográfico y Bibliográfico (Obras)

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2. CANON – John of Fornsete

Instrumentación: José A. Palomino

Violín: Fernando Morán

Viola: Cristian Carrascal

Contrabajo: John Jaime Salazar

Solista de Corno: José Andrés Palomino

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3. LIED – SONG - W. A. Mozart

Instrumentación: José A. Palomino

Violín: Fernando Morán

Viola: Cristian Carrascal

Contrabajo: John Jaime Salazar

Solista de Corno: José Andrés Palomino

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4. HURÍ – Pasillo Lento (Colombiano)

Instrumentación: José A. Palomino

Violín: Fernando Morán

Bandola: Henry Ruales *

Tiple: Jesús Pancho

Saxo Soprano: Juan David Romero

Contrabajo: John Jaime Salazar

Solista de Corno: José Andrés Palomino

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5. PLEGARIA – Pasillo Lento (Colombiano) – Carlos Vieco

Instrumentación: José A. Palomino

Violín: Fernando Morán

Tiple: Jesús Pancho

Saxo Soprano: Juan David Romero

Contrabajo: John Jaime Salazar

Piano: Iván Jaramillo

Solista de Corno: José Andrés Palomino

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CALIFICACIÓN ____________

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JURADO

MAESTROS INVITADOS COMO JURADOS

Maestra JANET LÓPEZ CALDERÓN – DOCENTE DE CANTO LÍRICO

Maestro ALEJANDRO ANAYA GUTIERREZ – DOCENTE DE TROMBÓN

CONFERENCIA - Fragmentos Orquestales

CONFERENCIA
“Fragmento Orquestales para Corno Francés”
Sobre Las Sinfonías 1, 2, 3, 4, 5 De Ludwig Van Beethoven
Según La Edición De Max Potag

Conferencistas
Maestra Esperanza Aponte Candela
Estudiantes Corno Francés
Ilustración Musical
“Ensamble Opus 1”
Lugar: Auditorio Rafael Maya
Hora: 4:00 P.M.
Día: viernes 28 de noviembre de 2008
DOCENTE: Germán Antonio Tejeda

CONFERENCIA FRAGMENTOS ORQUESTALES PARA CORNO FRANCÉS
Sinfonías 1, 2, 3, 4, 5 de Beethoven, sobre la edición de Max Potag

Conferencista: Maestra Esperanza Aponte Candela
Fecha: Noviembre 28 de 2008
Lugar: Auditorio Rafael Maya
Hora: 4:00 P.M.

Propuesta Metodológica
Introducción, objetivos y antecedentes: Germán Tejeda
Contexto Histórico social – Cambios del Clasicismo al Romanticismo: Alí Mauricio Cisneros
Características personales: María Fernanda Jiménez
Características sobresalientes de Cada Periodo de Composición, Generalidades de las Sinfonías
Maestra Esperanza Aponte Candela
Particularidades de los fragmentos Orquestales de cada sinfonía 1, 2, 3, 4, 5
v Fechas de composición y estreno
v Instrumentación
v Movimientos
v Tonalidad Real
v Tonalidad para los cornos
v Tipo de Corno
José Andrés Palomino
Ilustración Musical
v Corno 1 - Jhon Arnold Sarria - Germán Tejeda
v Corno 2 - John Alexander Castro
v Corno 3 - Diego Armando Pantoja
Ensamble Opus 1


Atentamente

GERMAN ANTONIO TEJEDA PUENTES
Docente Corno Francés
Universidad del Cauca





Máx Pottag (1876-1970) Alemania.
A student of Friedrich Gumpert at the Royal Conservatory in Leipzig, Max Pottag began his career as the principal horn of the Hamburg Symphony. He later emigrated to America, and in 1907 he joined the Chicago Symphony where he was the second hornist for thirty-seven years, and the third hornist for three years.

Major publications include three volumes of orchestral excerpt books and numerous arrangements for horn and horn ensemble.

Un estudiante de Friedrich Gumpert en el Real Conservatorio de Leipzig, Max Pottag comenzó su carrera como el cuerno principal de la Sinfónica de Hamburgo.

Más tarde emigró a América, y en 1907 se incorporó a la Sinfónica de Chicago, donde fue el segundo corno por espacio de treinta y siete años, y el corno durante tres años.

Son famosas sus publicaciones y ediciones sobre fragmentos orquestales y música de cámara para el Corno Francés, ediciones aún solicitadas en concursos internacionales. Principales publicaciones incluyen tres volúmenes de extracto orquestal libros y numerosos arreglos para la bocina y bocina conjunto.